Tag Archives: Filch

Broadchurch

broadchurch_thumbnail_02_webLet me preface this by saying I think my expectations for this show were just too high. And I don’t think I accurately anticipated what the show was.  It’s not CSI.  It’s not a procedural, and the real focus of the show is not finding out whodunnit, even though such a suspenseful show will inevitably leave you constantly wondering whodunnit–for the love of god just tell me who did it!!!  The show is really more about how one crime, and one secret, can impact so many people in a community.

The first episode sees Alec Hardy (David Tennant) as the newly-arrived DI in the small seaside town of Broadchurch.  His arrival is a shock and a disappointment to DS Ellie Miller, who hoped to be promoted to DI.  Their relationship is off to a great start, and is further improved by Hardy’s gruff and aloof demeanor and his refusal to accept coffee and foods she brings him.

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The normalcy of life in Broadchurch is disrupted mere minutes into this first episode, because the body of a small boy has been found on the beach.  The reactions of Hardy and Miller could not be more different. Hardy is calculating and professional.  Miller is emotional and reacts like a civilian. Two reasons–Hardy has seen this sort of case before, and Hardy doesn’t yet know the people who he must now suspect of committing murder.  For Ellie, on the other hand, this is very close to home.  She recognizes the boy immediately as Danny Latimer, her son’s best friend.

The most horrible part about the first episode (and possibly the entire series) is the long slow buildup to Danny’s fate being revealed to his parents.  They don’t know he’s missing.  He leaves early daily for his paper route, so they assume he’s at school.  It’s midday before his Mom realizes something’s amiss.  The scene where she runs to the beach and needs to be restrained is gut-wrenching.

BroadchurchOver the 8 episodes of the first series/season, we learn to suspect everyone.  And Ellie Miller does as well.

First, there’s the Latimer family.  Why didn’t anyone notice Danny was missing?  Where were they?

Latimer family

Mark, the boy’s father, is particularly suspicious.  The entire time I watched the show, I couldn’t decide if he was a really bad actor or a really horrible character.  I will admit I irrationally disliked him due to the fact that he looks like my not-very-nice uncle.

But there’s also the Mom–something is up with her too.  And the daughter, Chloe?  She’s got a secret boyfriend who is too old for her (I’m not making a value judgment; he’s literally legally too old for her).

But the community is full of shifty characters keeping secrets.  Arthur Darvill (Rory!) plays the local vicar/reverend.

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Automatic suspicion there, obviously, given that it was a young boy that was killed.

David Bradley (Filch!) plays Jack Marshall, who runs the local news agent.  He’s haunted by his past and his story is both tragic and conflicting.

NYET290-1024_2012_102725_highBecause this is Britain, the interfering and immoral media show up to take advantage of the tragedy of Danny’s death. They run afoul of almost everyone, airing secrets and pointing fingers.

What started out as a small idyllic community is shown to be deeply and incredibly flawed.  The point that the show makes is that the secrets were always beneath the surface. It’s just this one event that has brought them all out.

And eventually we get to a killer, an answer.  But the answer just brings up more questions. We want to categorize what happened, but it’s difficult to do so.

Spoiler warning. Proceed no further if you haven’t seen all 8 episodes.

Here’s where I think they went wrong.

Sometime in episode 6, things took a shift and suddenly it hit me that it was probably Joe. I wasn’t certain.  I was still hanging onto my thoroughly-random theory that it was Grandma Latimer. But that scene at the skate park with Joe and Ellie made me realize that Joe was a pretty good guess.  Something about the music made him suddenly seem ominous and wrong-footed.  And I’m not the only one who thought this.  I discussed the episode next day with two co-workers and they both had the same feeling that it must be Joe.  The combination of the music and the acting and the directing acted like a bit neon sign pointing to Joe as the culprit suddenly.  The last two episodes, I was really hoping that it was a red herring and Joe was not the killer, because it just wouldn’t have surprised me.  And it didn’t.

I knew, for absolute certain, that Joe would be the killer. I knew it at the exact moment that Ellie looks down on Susan Wright and asks ‘how could you not know’ what was going on in her house?  That was a huge neon sign, a big red flag, an X marks the spot.  Don’t say shit like that.  That’s tempting fate, big time.  I knew it had to be Joe once she said that.  And it’s worth nothing that Beth said the same thing to Ellie at the end.  Digression–Beth has no room to talk, since she had no idea that her husband was cheating on her, her daughter had a secret boyfriend, and her son was going out late at night and on weekends to go paintballing, steal pheasants, and hug grown men. She had no idea he had a second cell phone or that he’d had a row with his best friend.  She should keep her mouth shut.

Back to the point: It’s not supposed to be a ‘surprise!’ kind of reveal.  It’s more the slow realization that everyone was keeping secrets, and then the slow horrible reality that it was almost definitely Joe. And then the aftermath.  They reveal Joe as the killer 14 minutes into the final episode, which left a lot of time for aftermath.  The scene when Ellie confronts Joe was brilliant and awful, and mirrored that first scene on the beach, when Beth is dragged away kicking and screaming.

The majority of crime shows (and there are a million of them) deal with the procedure of solving the crime, and make very little of the emotions of those affected by the crime.  Does CSI dwell on the grief of the murder victim’s family? Nope.  Does Law & Order spend time on the wife of the murderer? Not unless it helps them solve the crime.  It’s all about the solution and has nothing to do with the aftermath.  I sometimes find myself thinking things like ‘hey, family, stop interfering with the investigation!’, because you’re rooting for the answers, not for closure for those involved.

Broadchurch seems to have an opposite mission statement. It’s all about the effect.  When Hardy finds out it is definitely Joe, that secret weighs on him. He knows he has to tell Ellie, and Danny’s family.  He has to burden others with this horrible truth.  In instances like this, when the killer is someone you know, the truth can only ever make you feel worse.  It can only leave you angry with yourself and questioning everyone in your life because how can you ever trust someone again?!  It’s rare that a show really embraces such a heavy resolution. 

But at the same time I found some parts of the show irritating.  There were a lot of threads that were picked up for a minute, dropped, and never resolved. So many false clues and revelations that turned out to mean nothing.  And some of them were never discussed again.  A note though–we, in the US, did not get to see the full episodes.  Like a bunch of complete morons, BBC America decided to take out 15-20 minutes of each episode in order to fit in commercials.  Why couldn’t they just have made this a 90 minute program and actually show us the whole thing? One of the scenes I know they left out was after Joe is revealed as the killer.  Apparently Mark confronts Joe in the jail cell.  We didn’t see that.  That’s not a small scene.  And, really, we had to miss a lot.  Over 8 episodes, we would have missed almost 2 hours of content.  That’s pretty unacceptable.  And, from what I read, almost every scene they cut had Joe in it.  That seriously alters the way we perceived the show and him as a character.  I’m interested to compare the full episodes to what we saw. Of course, I can’t.  It’s not out on DVD yet in US format. And I can’t find any release date for a US format version anytime soon. You’re on my list now, BBC America execs.  And it’s not a good list.

They’ve already announced a 2nd series/season of the show will be aired in the UK. They haven’t revealed who will be part of the 2nd series, or really any details about it, its setting, its plot, or its cast.  News came in this week that David Tennant has signed up for the American remake of the show, that will air on Fox.  I think this is terrible news!  He’ll be on TV…in what will probably be a worse show, he’ll have an American accent, and it will (I wildly speculate) prevent him from being in the 2nd series of the original.  Boo!

No word yet on Olivia Colman.  I think she’s quite a brilliant actress, but I’d be lying if I said I wasn’t tuning in every week for David Tennant.  I don’t know if I will want to watch without him.

Fun fact before I end this post.  Chloe’s boyfriend is named ‘Dean Thomas’ in the show.  That name will sound familiar to anyone who reads Harry Potter.  The actor who played Dean Thomas in Harry Potter (Alfie Enoch) has a brief cameo as a journalist in Broadchurch.

 

 

 

 

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Upcoming British TV

You may have noticed, if you’re one of the 3 people who regularly read this blog, that content about British TV has been lacking lately.  That’s natural, given that it is summer and there isn’t much of anything new on.  But fall is approaching fast and there are a lot of good shows coming back, and a lot of new shows that look awesome.  So here’s a primer on what to expect over the coming months on TV.

Doctor Who premiered last Saturday, and another episode was just on last night.  I have grown to really love 11, though I still prefer 10 and probably always will consider him the best Doctor ever.  If you have no idea what I’m talking about, skip this bit as you are not a Whovian and won’t particularly care.

I have to say that these last two episodes have seemed rather lackluster to me.  There were some plot holes in the Asylum of the Daleks, and I saw the twist coming fairly early on.  Dinosaurs on a Spaceship was a bit better, and I love Mr. Weasley as Rory’s dad.  Something just seems off with both episodes so far, and I can’t tell if it’s the show or it’s me.  I suspect, however, that it is not me.  They’ve jumped right in as though there’s been no gap, and I could have done with a bit of a slow submersion.  I do love Karen Gillan, though, and she has been awesome as always.  I think it’s the writing or the direction to blame, but I”m having trouble putting my finger on why or how.  It’s almost like the episodes start too quickly and keep going too quickly for you to be emotionally invested.  And then they’re over, and you still aren’t particularly invested.  It’s missing some of the emotional scenes that you find in other episodes, and so far there hasn’t been anything particularly scary.  A bunch of rusty old Daleks and Filch? After the weeping angels, it takes a lot to scare me anymore, but they’re not even trying!

So why is this on my list of what to look forward to this fall? Because it’s Doctor Who! I will continue to watch it, and hopefully it will get better.

Downton Abbey

There are two trailers out right now for the third season. This one:


And this one (which I prefer):


Maggie Smith is divine.  And Shirley MacLaine as the American grandmother? Wonderful. I cannot wait to see those two in action together.

Okay so here is the big problem with Downton Abbey, and I cannot believe that in the 21st century it has come down to this.  On ITV in the UK, it premieres this month. Next week, I believe.  When will it be on PBS? January.

January?! This is ridiculous.  Why cant the studios just get together and decide to air it at the same time? Or shortly after?  As far as I know, there is no legal way for Americans to get their hands on the show before it airs on PBS or comes out on DVD (which might happen first, to be honest).  I would honestly pay to watch it, but I don’t think there is a way to do so.  Whose idea was that? I realize that ITV can’t broadcast here, and they are a British only channel, but this is ridiculous.  I suppose now I know how it feels for Brits who want to watch the latest episodes of our shows. But honestly, there should be a way to get it through iTunes or something. I am honestly not going to wait until January. I refuse.

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And a similar thing is happening with Parade’s End.

This was actually a joint venture between BBC and HBO, which means they have equal rights to air it (in my non-expert legal opinion).  This aired during August in the UK (I only know about it because I caught the last 20 minutes of one of the episodes while I was in London).  HBO hasn’t even announced an air date for the US.  BLARGH. Why do they do this to me?

In case you haven’t heard of it either, let me describe.  This was originally four novels by Ford Maddox Ford, and has been adapted into this mini-series, starring Benedict Cumberbatch and Rebecca Hall.  The plot revolves around a wealthy couple, and it is set in the early 20th century, so there are naturally comparisons with Downton Abbey. The husband is sent off to fight in the trenches in WWI.  There’s a love triangle somewhere in there. I didn’t want to read much else because I don’t want to spoil the fun of actually watching it.  If that ever happens.

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So, will anything actually be on soon for us unlucky Americans?  Yes! Thank god.

   Judging by the press photos, this one is about women who ride around on bikes in matching outfits.  Okay, actually, it’s titled Call the Midwife and I am quite excited about it, despite being horrified by the idea of childbirth and by the presence of nuns.

The show centers around a group of midwives in 1950s Britain, and it was a huge hit there. Smashed all sorts of ratings records.  It even beat Downton Abbey in the ratings. So, I’m definitely going to give it a try.  It airs on PBS, starting September 30th.

Richard Hammond’s Crash Course is also returning this fall (October 15th).  It appears they have abandoned the need to associate him with vehicles, and the show has devolved into him simply encountering as many ridiculous and possibly embarrassing Americans as possible.  There is, thought, a really cute trailer.

Another one coming down the pipeline this fall:

Spies of Warsaw

This is another period piece, a WWII-era drama set in Poland (obviously). It stars David Tennant, and that’s about all I had to know before I decided to watch it.  No firm release date yet, that I can find. I believe it comes on when The Hour and other Dramaville programming returns, which would be November, I think.

So it’s set to be another year of British cultural imports.  I do want to add, however, that as much as I joke about being forced to wait for a long time to watch British shows, I am just joking. Of course I hate the waiting, and I don’t see a need for it when we’re perfectly capable of downloading everything anyway.  But as I learned on my trip to London last month, the TV in England is really terrible.  What? What am I saying?! This is a blog about British TV, among other things, so how could I be committing such blasphemy?  I never had a TV when I lived in London, so I had little experience with it.  At my hotel, though, we did have a TV. I didn’t sit down to watch it at any point, but before bed or in the morning I would switch it on, and I was shocked by what I found.  There are only 10-20 channels, and some of them are only available at certain times of the day.  They play a lot of American programming, from old episodes of sitcoms (Frasier of all things) to really terrible American movies that wouldn’t even be shown here (Bowfinger…really?).  Then there seems to be some sort of 24-hour Big Brother channel.  Mix that in with Coronation Street and East Enders, which seem to be less slick and less attractive versions of our soaps, and that’s about all of your choices. Of course, there’s always BBC news, right?  They do news incredibly well there. But, you soon realize that it runs on a 10- or 15-minute loop, especially in the morning.  It’s not fun. If I lived there, I don’t think I’d bother having a TV at all.  So when I complain about having to wait for these mini-series, I do not mean to imply that I would rather switch places with them. They have to wait a long time for our shows as well, and well, we just have a lot more options here. Plus, no TV tax here, always a bonus. So, take the complaining with a grain of salt, and everyone let’s try to be patient, and pretend we aren’t illegally downloading these things. We certainly wouldn’t do that.