Tag Archives: Gallifrey

2013 Christmas Specials

Christmas is a pretty special time in the UK, I think.  I theorize.  I’ve never been there at Christmas time, but one glance at the decorations on Oxford or Regent Street tells you what it’s like in London.

90_05_15---Christmas-Lights--Regent-Street--London--England-_webI also haven’t participated in that age-old tradition of the Queen’s Christmas address.  But one tradition I am always happy to indulge is the tradition of the Christmas special.  During busy weeks, particularly in the holidays, TV here tends to come to a screeching halt.  Repeats for weeks on end.  The only exception is (American) football, which is on constantly from Thanksgiving to …February.  Blech.  I’ll pass on that.  But the Christmas special! Something everyone can gather around the TV and enjoy, that (usually) doesn’t involve padding or jock straps.  I can support that tradition whole-heartedly.

This Christmas was a big one for Doctor Who, with Matt Smith’s last episode and Peter Capaldi’s first.  They like to do these transitions on big episodes, don’t they?  And this one was a particularly unusual story.  We saw the Doctor bald, we saw him naked,

matt-smith-nude-the-time-of-the-doctor-band even more strangely, we saw him old.  Doctor’s aren’t supposed to age, are they?  During that stretch of episodes in America, we see the Doctor some 200 years older in one episode than when we see him next, and there isn’t the slightest change.  So exactly how much time did he spend in a town called Christmas, on a planet called Trenzalore, to get to looking like this:

Doctor-Who-11-2959359He looks and acts very Dickensian, which I find rather amusing. He’s always been very Victorian, number 11, with his waistcoats and bow ties and pocket watches.  Being rather fond of that era myself, I am sad to see that go.  I am genuinely sad to see Matt Smith go, which is a big credit to him, since I was weeping over David Tennant’s exit.

This episode was very grand and (is often the case with very grand episodes of the show) it often seemed more concentrated on being big and important, rather than making much sense.  I try to remember what exactly was going on, but I found myself thoroughly confused by a lot of the plot for this one.

The way I understood it, the Time Lords were communicating through the crack in the wall, which reappeared in Christmas.  Their message was heard by everyone, and it scared everyone.  They were asking the Doctor’s name…and if he told them, they would come through.  And this would, for some reason, cause immediate and total war?  The Church of the Mainframe protects the planet from the hordes of Daleks, Cybermen, and every other type of villain that is trying to get in.

I have so many questions from this episode. How are the Time Lords of Gallifrey able to send messages, and then (Deux Ex Machina)  time energy, through the rift when they are stored safely away in a frozen moment of time? How did a burst of time energy reset the clock on the Doctor’s regeneration count? And simultaneously give him power to kill Daleks with a light beam? Why does the regeneration process seem to happen really quickly sometimes (John Hurt’s Doctor to Chris Eccleston’s, Eccleston to Tennant) and sometimes (Tennant to Smith, Smith to Capaldi), it takes quite a while. Most importantly, what’s the point of using the Silence as priests?  Why would you want to confess and then forget you’d done so?  Much better to have a priest who forgets everything you’ve just told him.  And was the episode implying that the Silence were created to be priests?  Or that they were recruited as priests after they were more-or-less killed off on Earth?

I think this episode attempted to do too much, too big, without enough time or weight given to some of the big issues.  And the most important thing, the actual regeneration, took place so late in the episode, that we barely saw Peter Capaldi as the Doctor.  I like him already, I feel I can’t help but to like him.  But with a new Doctor, any new Doctor, he needs to win the audience over nearly immediately.  Now we’ve seen Peter Capaldi for approximately 40 seconds, and now we have to sit and wait until …whenever they decide to air the next series… before we get to really see him as the Doctor?  I don’t like it.  I wanted more, obviously, and I think it’s important to the audience to keep out any doubts over the new Doctor.  I was pretty disappointed to not see more of him, and that’s part of what makes me unhappy and unsettled about the episode as a whole.

And then there was Downton Abbey.

downton-abbey-christmas-special-2013

Another Christmas special that has utterly nothing to do with Christmas?  This time it’s the London Season, where debutantes are launched into society and try to land the richest possible husband. Mary is entertaining multiple suitors as usual, we learn that Bates probably did murder whats-his-name, and the Grantham family has to engage in some clumsy skullduggery to save the Prince of Wales from embarrassment over his affair.  Most importantly, Carson is barefoot in the ocean.  Mr. Carson is the last person I imagine to ever be barefoot. The poor man, I would gladly have gone on his outings. I liked the Science Museum and all the other ‘educational’ outings he suggested.

Rose drove me less crazy during this episode by far.  She’s still silly and a bit dim, but she acted like an adult at least.  Edith and Mary, on the other hand, drove me crazy. Mary is just as spoiled and selfish as she has ever been, and Edith is tedious and dull at best.  I never like indecision, particularly in TV characters. In a story, there’s no point in indecision.  It’s a waste of the audience’s time.  Edith waffling back and forth and being rude to others about a situation she’s created for herself is…just as annoying as I’ve come to expect from her character.  I miss Sybil!

Finally, we got to see Paul Giamatti as Cora’s brother, and I thought he did splendidly.  He always seems to play the same character–the grumpy but charming man who wins over far more attractive ladies.

downton-abbey-2013-christmas-special-shirley-maclaineNo exception here.  I know the ‘Americanness’ of these characters is heightened to the point where they may as well be from another galaxy, but I quite like them.  They get almost all of the minute social niceties completely wrong in every situation–futile introductions to the Prince of Wales, never understanding that they’re supposed to get their own tea or breakfast, not comprehending the practice of downstairs servants being called by the name of the person upstairs that they serve, etc., etc.  But no matter how many times they get it wrong, it doesn’t phase them.  And as an American, I think that’s pretty accurate.  While the Brits are disdainful of our loud voices and lack of manners, we are blissfully apathetic to doing these things the ‘wrong’ way.  Undoubtedly, Harold will tell all his amused friends in Newport about his conversation with the Prince, whereas any Brit who had made the same mistake would probably be mortified.  I know Downton takes place nearly 100 years ago, but I think these are social mores that still exist in each culture.  Brits still have fear of causing offense or inconvenience; Americans generally don’t know or don’t care when we’ve accidentally committed a minor faux pas.  The American in me genuinely likes Cora, her mother, and her brother, for being too independent to care about titles or propriety, and for caring far more about the actual value of a person or an action.  I hope Paul Giamatti is in more than just this one episode, because I like him and I think the Grantham family needs more people to come and ruffle their feathers.  They’ll never survive the changes coming their way if they are allowed to believe the world is going to stay the same.

Bates’ story was the only real menace in the episode.  Mary and Mrs. Hughes know that he probably killed Mr. Green, and they’re not certain if they ought to keep it a secret.  The more I think about Bates, the more I think he’s a villain.  No one can really blame him for wanting to kill Mr. Green.  But to act on it…and I have never been entirely convinced he didn’t kill his first wife.  He seems to be surrounded by characters so evil that no one could really blame him for wanting them dead, but the amount of death that seems to follow him is pretty ridiculous.  Anna seems to be doing much better, but this will tear her apart again, so he is hurting her more than almost anyone.  I don’t trust him or like him anymore, and he’s shown he’s quite capable of lying to cover up his actions.  He’s gotten rid of a lot of problems in his life by acting like a criminal.  It may be safe to say, at this point, that he just is one.  I’m ready for him to be done.

It’s a long time until Downton Abbey starts again, and I’m not certain this episode provided me with a really compelling reason to keep watching.  I enjoyed the 4th season, but there was no particular cliffhanger or massive event at the end of this episode that would make me hungry for more.  But I did like the little moment with Mrs. Hughes and Mr. Carson, because they’re both lovable and they deserve more fun.  That being said, it seems an odd place to leave your Christmas episode–on a sunny beach.

Doctor Who Season 7 (part deux)

DOCTOR WHO SERIES 7BLast weekend, the seventh season (series) of Doctor Who came to a fun, but terribly confusing end.

Let me first say something about Clara Oswin Oswald, the Doctor’s new companion.

Clara OswaldI love her.  I love that she is incredibly smart, I love that she is a mystery, I think she’s awesome.

On the other hand, I think they put a lot more effort into personifying her character before she actually became the companion.  They showed how smart (and brave) she was in The Asylum of the Daleks, and also proved herself funny and strong in the Snowmen.  I loved her in both of those episodes.  But she had the unfortunate habit of dying all the time.

Since she became the actual companion, I feel like the writers have done less to make her unique and exceptional. She takes a backseat a lot of the time, just going along with the Doctor like any other companion.  There are a few exceptions, but she seems more passive now that she’s with him than she did before.  Step it up, writers!

So, let’s discuss the episodes that were in this half of the season:

The aforementioned episode The Snowmen was a Christmas special that I really enjoyed.  One of several in the last 1-2 years taking place in Victorian England, so that makes me immeasurably happy.  I thought it was creepy, Christmas-y, and lots of fun.  Everything a Doctor Who Christmas special should be.

When the season started up properly again, it began with The Bells of St. John. This is our first look at modern-day Clara, an orphan who lives with a friend of the family and looks after his children. Ignoring the ridiculous scene of the Doctor riding a motorcycle up the Shard, I liked this episode.  This is also the episode where Clara is the most independent and suspicious, not yet under the thrall of the Doctor (as all companions eventually do fall under it, I can’t blame her when she does, but I still like it when people don’t automatically fall at his feet. I mean, how would you feel if a strange man showed up at your door in a monk’s outfit and wanted to come in?

In other news, I really like his new outfit:

Dr Who new costumeVery Victorian. I kept expecting him to say something about waistcoats (vests) being cool, but it never came up.  Was that just a Doctor & Amy thing?  If so, I will miss the hats.

The next episode was The Rings of Akhaten, where Clara and the Doctor wander into a scene from that short story, The Lottery.  A sacrifice to the gods to prevent massacre of the planet, etc., etc. I thought this episode was the weakest of this (half of the) season.  Partially, I was really irritated by the premise.  Fine, this god wants memories to feed on, to keep it asleep.  The Doctor has 800+ years of memories, but a 23-year-old girl’s memories are more valuable?  In some ways I can kind of comprehend that the memories of a younger person are more…intense, because we feel things intensely when we’re young and we are more numb to emotions as we age, but the Doctor still has a bulk amount of memories. There’s no way hers are more valuable than his.  His whole planet was destroyed, his whole race.  He’s seen companions taken away by death and by time. He’s changed the world.  I’m sorry, but that leaf is not that important. He is more important.

Cold War was the next episode.  Not one of my favorites. I think I’m in the minority there, because a lot of people really liked it.  I think the difference is that, having never seen the old Doctor Who episodes, I have never before encountered the Ice Warriors.  I’ve never seen anything before Christopher Eccleston, so they just have no meaning for me within the larger canon. And this episode as a whole seemed to lack some tension for me–which is a ludicrous thing to say, since it was a time and a place where any second could bring about world-ending nuclear war.

Next came Hide, which I really liked. It was very spooky, and I sort of love it when the Doctor saves a hideous monster as readily as he saves a human.  It’s like watching someone carefully transport a spider out of the house and into a nice new home.  Plus, everyone gets to live and be happy at the end. Bonus–Emma, the psychic, was played by Jessica Raine, better known (to me) as Jenny from Call the Midwife.

I also loved Journey to the Center of the Tardis, where we finally get to see some of the other rooms inside the ship. I would live in the library, except for small breaks to visit the swimming pool. If I wasn’t being pursued by some sort of lava monster. What I really didn’t like about the episode is the Doctor yelling at Clara to try to discover who she is. I also wasn’t fond on those moments being ‘reset’ and Clara losing the memories of what she saw in the library.  I would pay so much money to get a look at that book…

The Crimson Horror was my favorite episode of this series.  Back in Victorian England!  The Doctor even gives us an adorable Yorkshire accent! On the other hand, that leech thing was the most foul slimy monstrosity I’ve seen in a long time. Yuck Yuck Yuck. I liked seeing the vulnerability of the Doctor, and loved Rachael Stirling (from The Bletchley Circle) as Ada, acting alongside her real-life mother as the heinous Mrs. Gillyflower.  There was something very Dickensian about Sweetville–the obsession with Christian morality, the gated community somewhat like a work house, the darkness in general. The only part of this episode I disliked was the end. Clara returns to her real timeline and the two kids she lives with have discovered pictures of her in different times.  Okay, so these kids just happened to both come across pictures of her in various places and times, during the short period she’s been traveling?  I find this pretty ludicrous, considering we’ve seen fans of the Doctor before who have a really hard time finding photos of him. Plus, I knew it meant the kids would be more important in future, and I really prefer not to have other people travel with the Doctor. I think it should be one companion only–Rory was the only exception, and these kids are not Rory. And I don’t like kids in general, so there’s that.

As I expected, the next episode had the kids going along with The Doctor and Clara, to the best amusement park in all of space and time…now disused and looking like something out of a Scooby Doo episode. Nightmare in Silver sees the return of the heavily upgraded Cybermen, to a point of being nearly unbeatable foes.  This episode had some problems–I wasn’t wild about the Doctor vs CyberDoctor scenes, and the kids were annoying for the first 10 minutes and then nearly inanimate for the rest. The salvation of this episode was Warwick Davis. I love Warwick Davis.  He was great in this, and I could have lived with a lot more screen time for him.  And a lot less for the kids.

Lastly, we have the finale. The Name of the Doctor. It was not as climactic (for me) as some of the finales have been, such as Bad Wolf/The Parting of the Ways.  Still, it had some epic ideas behind it. We see where the Doctor’s grave is, we see River again (!), and we find out why Clara is ‘the impossible girl’.  It makes sense, too, if you don’t think into it very deeply.  Just wade your feet in the logic, then move on. Closer scrutiny will leave you cross-eyed.

I particularly loved the scenes where Clara encounters past incarnations of the Doctor, even though I am woefully ignorant about who is who. I can pick out Tom Baker, and that’s about it. Still, it was cool and Clara got to wear great costumes.

The big deal with this episode is the end.  John Hurt shows up and he embodies the Doctor when he is not the Doctor?  Huh?  Reading rumors online, I’m lead to believe John Hurt will represent the Doctor during the interregnum, between the end of Doctor #8’s short run in the ’90s and the beginning of the current incarnation of the show, with Christopher Eccleston.  The period of the Great Time War, when Gallifrey was destroyed and the time lords with it.  John Hurt will personify the Doctor when he had to do horrible un-Doctor-like things to win the war.  I guess? That’s all rumor, so we’ll see…in November.

Overall, this half of the season was much better than the previous (in my opinion).  I had fun watching almost every episode, and there were good moments in each of them.  I think Clara is a much-needed breath of fresh air. I hope they keep giving her opportunities to be very clever and very strong, rather than letting her just follow the Doctor’s lead.

I cannot wait until the fall and we get all the 50th Anniversary celebrations and guest stars.  It’s going to be a long 6 months.